Please tell us more about your working process, routine, your studio set up and the way you approach new artworks.
I am a creature of habit. I reach my studio every morning after I come back from the print factory where I work. Sometimes I continue a work started the previous day, sometimes I jump into a new project. I want to be present there to enable things to happen. My working routine has two faces: a technical one and a creative one. I make the frames of my works on my own and I also prepare the linen canvas with an Italian traditional process; I use rabbit glue and gesso di Bologna. It’s the artisanal part of the work. After that comes the creative part: I sketch my projects on a block notes and think about the titles.