My recent paintings draw from the formal language of logotypes, typography, signage, iconography and political & religious symbols, together with their shared purpose of explicit communication.
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In it’s very DNA painting, the applying of liquid colour to a surface by various procedures, offers itself as the ideal means to create a purposeful exchange, where chance can engage with necessity and randomness with determinism.
My research focuses on building a structured image based on minimal elements of painting language and on sign, surface, full and voids relationships.
I use repeating, modular, geometric patterns to illustrate personal observations, philosophical theories, and psychological phenomenon.
I’ve been focused on monochrome, or single-color painting, since 1990. My work has consistently been about reducing forms to basic elements: structure, support, surface, materials.
I define my works as abstract genre scenes. The white works show the “Hic et nunc” feelings, and the black works flood in the time. Although both ones are silent and deaf.
My paintings are made from a variety of different materials: oil paint, oil stick and crayon together with collaged paper, wood and felt. The surface of the paintings is important.
When I first started making abstract paintings it became a sort of philosophical pursuit; I used reductive forms and flat colors to deconstruct the visual world…
My art? A material language! How long and how much listening was necessary to find in a thread and in its variants of color, of thickness, the personal medium of artistic expression.
The work is primarily about painting; it’s nuances, it’s faults and the way it’s seen and made. I see paintings as signs -signs for everything that stands behind them, and for everything they point towards…